[Note from Frolic: This excerpt from Kalynn Bayron’s Cinderella is Dead is a partnership between Miami Book Fair and Frolic. Ms. Bayron is one of more than 300 authors participating in the 2020 Miami Book Fair. They are all gathering together from all over the world in conversation, all virtual, all safe, all unique, all free between Nov. 15-22. Visit miamibookfaironline.com and register for free and enjoy these conversations for free:
Twisted Tales: Liz Brasewell/Straight on Till Morning, Jen Calonita/Conceal, Don’t Feel, Elizabeth Lim/So This is Love
Own Your Magic: TJ Klune/The House in the Cerulean Sea & The Extraordinaries, Bethany C. Morrow/A Song Below Water, Mark Oshiro/Each of Us a Desert, Lauren Shippen/A Neon Darkness; this
DC Comics panel: featuring Kami Garcia/Teen Titans: Beast Boy-Teen Titans Raven, Sarah Kuhn/Shadow of the Batgirl, Alex Sanchez/You Brought Me the Ocean, Maggie Stiefvater/Swamp Thing: Twin Branches, Laurie Halse Anderson/Wonder Woman: Tempest Tossed, Danielle Paige/Mera: Tidebreaker; and so much more.
For more information please visit www.miamibookfair.com, follow Miami Book Fair @miamibookfair, #MiamiBookFair2020 #MBF2020 #MiamiBookFairOnline.]
About Cinderella is Dead:
It’s 200 years after Cinderella found her prince, but the fairy tale is over. Teen girls are now required to appear at the Annual Ball, where the men of the kingdom select wives based on a girl’s display of finery. If a suitable match is not found, the girls not chosen are never heard from again.
Sixteen-year-old Sophia would much rather marry Erin, her childhood best friend, than parade in front of suitors. At the ball, Sophia makes the desperate decision to flee, and finds herself hiding in Cinderella’s mausoleum. There, she meets Constance, the last known descendant of Cinderella and her step sisters. Together they vow to bring down the king once and for all–and in the process, they learn that there’s more to Cinderella’s story than they ever knew . . .
This fresh take on a classic story will make readers question the tales they’ve been told, and root for girls to break down the constructs of the world around them.
Cinderella has been dead for two hundred years.
I’ve been in love with Erin for the better part of three years.
And I am about two minutes away from certain death.
When the palace guards find me, and they will, I am going to die in the forest on Lille’s eastern border. But I don’t care. The only thing I’m focused on is Erin, who is pressed up against a tree directly across from me. The palace guards don’t see her yet, but they are headed her way. They stop a few feet from where she’s hiding. Her eyes grow wide in the shadowy confines of the forest. I meet her gaze across the wide swath of carriage pathway that
Don’t move, Erin. Don’t make a sound.
“I fell asleep in the tower last night,” one of them says. “Someone woke me, but still. I was lucky. If the king found out, it’d be my head on a pike.”
“You going to the ball?” one man asks.
“No,” says another. “All work and no fun for me, I’m afraid.”
“That’s a shame. I’m hearing the girls in this year’s group are the prettiest lot in a generation.”
“In that case, is your wife going to have an accident?
It’d be a shame if that first step down to your cellar suddenly came loose.”
They laugh from the gut, hissing and sputtering, and from the sound of it, they are falling all over themselves. Their voices move away from us until I can’t hear them anymore. I pull myself up and run to Erin, who is still cowering behind the tree.
“They’re gone,” I say. I take hold of her hand and try to calm her.
She peers around the tree, her face tight with anger, and jerks away from me. “Of all the impossible things you’ve ever convinced me to do, coming out here has to be the worst one. The guards almost spotted us.”
“But they didn’t,” I remind her.
“You asked me to meet you here,” she says, her eyes narrow and suspicious. “Why? What is so important?”
I’ve rehearsed what I’m going to say to her, practiced it over and over in my head, but as I stand in front of her I’m lost. She’s angry with me. That’s not what I want. “I care about you more than anything. I want you to be happy. I want us to be happy.”
She stays quiet as I stumble over my words, her hands clenched at her sides.
“Things feel hopeless so much of the time, but when I’m with you—”
“Stop,” she says, her expression a mask of anger. “Is this what you brought me out here for? To tell me the same thing you’ve been telling me since forever?”
“It’s not the same thing. The ball is so close now. This may be our last chance to leave.”
Erin’s brow shoots up in surprise. “Leave?” She comes closer, looking me dead in the eye. “There is no leaving, Sophia. Not for you, not for me, not for anyone. We are going to the ball because it is the law. It is our only hope for making some kind of life.”
“Without each other,” I say. The thought makes my chest ache.
Erin straightens up but casts her gaze to the ground. “It can be no other way.”
I shake my head. “You don’t mean that. If we run, if we try—”
Laughter in the distance cuts my plea short. The guards are circling back. Erin ducks behind the tree, and I dive into the brush.
“You don’t get to work in the palace if you don’t know how to say yes and shut your mouth,” says one of the guards as he comes to a stop directly in front of my hiding spot. “If you don’t have the stomach to do some of the things he’s asking for, you’re better off here with us.”
“You’re probably right,” says another man.
Through the branches, I see the tree Erin is hiding behind. The hem of her dress has caught on a rough patch of bark and is poking out. The guard looks in her direction.
“What’s that?” he asks. He takes a step toward her, his hand on the hilt of his weapon.
I kick against the bush. The entire thing shakes, causing a cascade of rust-colored leaves to rain down on me.
“What was that?” one of the men asks.
They turn their attention back to me. I shut my eyes tight. I’m dead.
I think of Erin. I hope she’ll run. I hope she’ll make it back. This is all my fault. I only wanted to see her, to try to convince her one last time that we should leave Lille once and for all. Now I’ll never see her face again.
I glance toward the tree line. I can make a run for it, draw the attention of the guards away from her. I might be able to lose them in the woods, but even if I can’t, Erin can get away. My body tenses, and I pull my skirt between my legs, tucking it into my waistband and slipping off my shoes. “There’s something in there,” a guard says, now only an arm’s length from me.
The guards move closer, so close I can hear them breathing. I glance past them. There’s a flash of baby blue between the trees. Erin’s made a run for it. A clanking sound cuts
through the air, metal on metal—a sword drawn from its scabbard. Over the rush of blood in my ears and the pounding of my own heart, a horn blasts three blaring notes.
“We’ve got a runner,” a gruff voice says.
I freeze. If I’m caught this far into the woods, the guards will make an example of me. I picture myself being paraded through the streets in shackles, maybe even stuffed into a cage in the center of town where Lille’s people are so often made to endure public humiliation as penance for stepping off the beaten path.
The men’s voices and footsteps move away from me.
I’m not the runner they are talking about. I haven’t even started running yet. My heart crashes in my chest. I hope they can’t gain on Erin quickly enough.
About the Author:
Kalynn Bayron is the bestselling author of CINDERELLA IS DEAD. She is a classically trained vocalist and when she’s not writing you can find her listening to Ella Fitzgerald on loop, attending the theater, watching scary movies, and spending time with her kids. She currently lives in San Antonio, Texas with her family.